- Home
- Paul Levine
False Dawn jl-3 Page 13
False Dawn jl-3 Read online
Page 13
Which is when Big Mouth started yapping. A beefy, sunburned, greasy-haired guy in jeans, cowboy boots, and a tank top. He’d been at the game, and he was goddamned tired of all the faggot Miami Dolphins, half of ’em jigaboos, who never covered the spread, then come waltzing in here, talking big and waving their dicks around like they owned the place.
I ignored him, which only made him angrier. He stepped closer and breathed down the neck of one of the would-be secretaries, a redheaded kid from Pensacola with electric blue eye shadow and Clearasil-covered zits, who was clearly frightened of the big sloppy guy smelling of beer and sweat. I didn’t say a word until he ran his hand over her backside.
“Hey, pal, ease off,” I told him, as low-key as possible.
“You gonna make me, you bench-warming, second-string cocksucker?”
“Extremely clever riposte,” I told him. “Unfortunately, bench-warming and second-string are redundant, so you lose points for creativity.”
“Fuck you and the horse you rode in on.”
“Ah, a regular Cyrano de Bergerac in the wit department. But judging from your looks, pal, you know more about horse fucking than I do.”
“What’s that supposed to mean!” He was even uglier when he tried to think.
“Come on now, this is ridiculous,” I said. “Tomorrow morning, you’re going to wake up and feel like a shithead.”
He shoved the girl aside and stepped into my space. “Who you calling a shithead?”
“Nobody. Look, you’re making everybody uncomfortable.”
“Too fucking bad.”
Still looking at me, he reached out and grabbed the redhead’s breast. She jumped away, and he laughed. Around us, people were backing away. Big Mouth turned to little old me, as gentle a guy as ever walked into a bar, and I smiled, then popped him one, a straight left hand that didn’t have enough hip behind it. The punch bounced off a cheekbone made of granite. He blinked and backed up a step but didn’t fall or yell for his mama. Then he came at me with a saloon swing, a lunging roundhouse right. I could have read the comics waiting for it to arrive. I blocked it with my left, knowing I’d have a bruise on the tricep tomorrow, then tried to nail him with a straight right hand. This time I caught him on the forehead, doing more damage to my hand than his head.
He spit and cursed at me, then turned and scooped a Budweiser bottle from a table, held it by the top, and smashed off the bottom on the back of a chair, just like in the movies. Then he came at me, jabbing the ragged bottle in front of him.
I backpedaled, and he kept coming.
Where the hell were the bouncers, the police?
I brushed up against a table and nearly fell over backward. He took a long, looping swipe, and as I whipped my head back, the jagged edge just passed in front of my eyes. I backpedaled some more, then stepped to my left, picked up a chair, and slung it at him. Instinctively, he raised his right arm. The chair knocked the bottle out of his hand, breaking the glass. He yelped, cursed my ancestry, and licked at blood coming from the webbing between his thumb and forefinger. “You cocksucker!”
“You thumbsucker,” I said.
He bent over and reached into his boot. Either his feet were bothering him, or he was grabbing at something. His hand came out holding a gun.
It was a small gun.
Probably a. 32.
But it didn’t look small pointed at me.
The gun, blood dripping onto the butt, was four feet from my sternum. No one made a sound. Except for the Doobie Brothers on the jukebox, everything was quiet.
The song.
Now, I forced myself to remember the words, something about what a fool believes. I summoned up the tune. That’s how I chased the memory away, blanked it out. Let the image of the gun fade into a melody. It always worked.
Except at night.
In dreams, that’s always where the memory began.
F rancisco Crespo lived just past LeJeune Road in a trailer park tucked between a rent-by-the-hour motel and a cemetery. Across the street was a full-service gun shop-sales, service, and paramilitary fashions. Tamiami Sunset Park is not home to the double-wide, king-size bed variety of modern mobile homes with microwave kitchens and cable-ready built-in TVs. It is a collection of rusted-out trailers propped on concrete blocks. Torn screen doors hang cockeyed on sweltering metal boxes jammed shoulder to shoulder on a lot with no trees or shrubs, and even the weeds are parched and trampled.
The only open spaces are filled with dilapidated lawn chairs, discarded mattresses, and sofas whose springs had long since sprung. An occasional clothesline crisscrosses from trailer to telephone pole. In a hurricane, the air would buzz with metallic vibrations, and the trailers would be torn loose, bashing each other like so many bumper cars. In a storm the caliber of Hurricane Andrew, which hit twenty miles south of here, they would be torn apart, turned into chunks of shrapnel mowing down everything in their path.
I parked the car and picked my way between trailers, listening to babies crying, televisions blaring, and a drunken couple arguing in slurred Spanish. It was one of those South Florida days with no clouds and a brutal, relentless sun. Our midday sun is a firestorm that jars the senses, and combined with the humidity, drains the life from folks who cannot escape to cooler climes. Today, not a breath of a breeze worked its way this far inland. I had left my suit coat in the car, and paused long enough to loosen my tie and roll up the sleeves of my blue oxford-cloth shirt.
I wended my way among the trailers, new home to immigrants from Caribbean islands and Central American countries, all trying to carve out a piece of the pie for themselves as so many had done before them. Some of the men bag groceries during the day and wait tables at night. Their wives work as domestics and take in laundry, and their kids pick up English and graduate from high school. Some will study business and law and medicine at the university. Others will hang out on street corners and bum smokes and deal crack. Others will just get along, making neither waves nor headway. In short, these folks soon will be just like everybody else.
I ducked under a soggy white slip and panties, hanging limp on a clothesline. It took a few minutes, but I found Crespo’s trailer, one of those old models that looks like a thermos jug. I found it by staring right at its shiny aluminum side and having the glare of the sun nearly blind me. I closed my eyes and watched a parade of red and blue dots march across my eyelids. The trailer sagged onto deflated tires. Two folding chairs with torn straps sat under a red-and-white awning out front. Curtains were drawn on a side window. The front steps were two concrete blocks which led to a screen door. Inside, a dragonfly buzzed and snapped against the screen.
I thought there was movement inside the trailer when I banged on the door, but it could have been my imagination. I put my face to the screen, but it was dark inside. Sweat began to trickle down my neck.
“Francisco, it’s me, the best abogado in town.”
Nothing.
Suddenly, a radio was turned on inside. The tinny sound of a Cuban talk show, turned up too loud.
“… para opinar sobre lo que dijo la senora esa que llamo hace un ratico para protestar sobre las fincas que ella perdio en Las Villas, que se las quito Fidel a sus abuelos en 1961.”
I called his name again.
“… es que todo eso es ‘lo que el viento se llevo.’ Hay que ‘hacer borron v cuenta nueva.’ Si no, nos vamos a quedar aqui treinta anos mas.”
“Francisco. Are you in there?”
Still nothing. I listened some more. On the radio, the deeper voice of the comentarista. “Yo estoy de acuerdo. Ademas, aqui en Miami dicen que si Cuba en realidad hubiera tenido tantas fincas como las que los exilados dicen que les fueron confiscadas por Fidel, que Cuba tendria que tener el tamano de los Estados Unidos…”
Then what sounded like a pop-pop, but it could have been the radio.
I let the dragonfly out and myself in.
It took a moment to get used to the darkness.
“Francisco.”
&
nbsp; The living room had a small sofa and cheap mica coffee table. A twelve-inch TV with rabbit ears sat on the floor. Yesterday’s issue of Diario Las Americas was on the table, open to the sports page. The talk show was coming from the galley kitchen where a portable radio sat on the counter. But no one was there. I walked to the counter and turned off the radio. Two Key limes sat in a basket and half a dozen potatoes were soaking in a sinkful of water.
The only sounds now came from outside, the blaring of a television from across the row of trailers, the midday news in Spanish. The announcer competed with the voice of a woman in a nearby trailer, then silence, then her voice again, talking with someone on the phone. A dog barked, one of those small yip-yap-yappers that make you think the Vietnamese have the right idea. From somewhere on Tamiami Trail, a police siren wailed.
The door to the bedroom was partly open. Sweat rolled down my back, chilling me. It was no more than three steps to the bedroom. I took them slowly, listening for movement. The only sound from inside the trailer was the creak of metal under my feet.
I slowly pushed the door open, took a half-step into the room, and saw Francisco Crespo on the bed, lying on his back. Two blackened holes stained the front of his T-shirt. I had stepped on something that squished under my shoes, and I looked down at the floor. As I did, the door snapped back, smacking me a glancing shot on the shoulder and a solid thwack on the forehead. I heard something crack and hoped it was the paper-thin door. I had been hit harder by skinny wide receivers who know how to throw a crack-back block. But still I staggered backward, from the blow or the surprise, I didn’t know which.
A shape rushed past me, a man dressed in brown or black who was either tall or short, young or old. He passed eight inches in front of my face, and I never got a look at him. I have always been dumbfounded at witnesses who give such god-awful descriptions to police when they’re really trying. And now here I was, unable to focus on who just bashed me on the head and most likely put two holes in the chest of Francesco Crespo. I had only an instant to think about the wiry guy who used to bring me Gatorade, who once put his life on the line for me, and who most recently trusted me to protect him. There was the flash of shame, the realization I had let him down, and worse, that somehow I had led him to his death.
I heard the screen door bang, realized I should do something, and took off. I skipped the concrete block steps and jumped to the ground, just catching sight of him from behind, weaving his way around an old Chevy slouched onto cinder blocks and a splintered wooden dinghy that sat on the ground. He was wearing brown, or maybe khaki, work pants and a matching shirt.
He looked stocky, but he didn’t run stocky. Gliding steps. Coaches have a word for it. Fluid. No wasted motion. The head stays still, the arms pump but not too high. There’s a word for my running style, too. Herky-jerky. All arms and legs, grunts and groans, working hard, getting nowhere fast. I was the slowest linebacker on the team, but not the dumbest. I made up for a lack of natural ability with decent instincts and a lot of hard work. I studied film till my eyes blurred, learned tendencies of offensive linemen and receivers, and generally knew a split second before the next guy where the play was going. I wished I had a playbook now.
The man in brown was a decent broken-field runner. He did a nifty job avoiding an overturned tricycle, a hibachi, and a woman in curlers with coppery red hair. I remembered the agility drill with the tires as I hopped the tricycle and hibachi but didn’t try it with the woman, though she was nearly short enough. Ahead of me, the man ducked between two trailers, heading toward the outer boundary of the lot.
When I turned the corner, there was just a streak of brown, turning left between a pink-and-white trailer and a canal that separated the lot from the cemetery. I kept my eyes on the trailer and picked up my pace. Coach Shula always started summer practice with the twelve-minute run. Not a jog, a run, and in the ninety-degree heat, ninety-percent humidity, a lot of my teammates left their breakfast on the practice field. I may not have led the pack, but I never hurled either.
I made the turn and saw him scrambling on all fours near a live oak tree that bordered the canal. It occurred to me then what I was doing. Here I was, without even a stick, a stone, or an Italian leather briefcase, and I was chasing a guy who had a gun. And had just used it. Yes, Abe Socolow, you’re right. Sometimes circumstantial evidence is very persuasive.
I didn’t know what I’d do if I caught him. He was thirty yards or so away when I saw him duck as he neared the tree, then… whoosh… my feet were swept out from under me. My body was jolted upright, my feet were off the ground, continuing their running motion like Wile E. Coyote, and I wondered who had crushed my Adam’s apple. No one threw a flag or blew a whistle, and I crumpled to the ground, looking up to see the clothesline humming like a guitar string.
T he sweat was pouring off me when I got back to Crespo’s trailer. I gingerly walked into the bedroom, felt a squish beneath one foot, and looked down to see a potato splattered in pieces across the floor. It made no sense to me.
I was trying to swallow but couldn’t. In football, a forearm across the throat is called a clothesline, for obvious reasons. As a linebacker, I had lots of chances to level receivers coming across the middle that way. Never did it intentionally, so why aren’t the gods kinder to me?
I looked toward the bed. I half expected the body to be gone, like something from a Hitchcock movie. Now, Mr. Lassiter, you say you saw Mr. Crespo with two bullet holes in him. Really, had you been drinking? But Crespo was still there, lying on his back, hands beneath him. I rolled him over. The hands were tied at the wrists with baling wire. I felt for a pulse. Not a flicker. As I held his wrist, I saw a metallic glint in Crespo’s palm. I pried open the fingers, and something fell out, rolling across the bed and onto the floor. I found it among the potato pieces-a gold rabbit holding an egg of what looked like brown glass flecked with gold. A loop that would have held a thin chain was fastened to the bunny’s head. Somehow, I doubted that the gold rabbit was part of Francisco Crespo’s personal jewelry.
I picked up Crespo’s phone with two fingers and called the police, Abe Socolow, and Charlie Riggs. The cops were there first, Abe next, and Charlie last, but he had to interrupt a med school lecture on figuring date of death by the extent of insect larvae in the corpse.
I was sprawled on the sofa holding my throat when Socolow came in. He took a look at the body and said, “Looks like somebody saved the state some money.”
“Abe, do you try to be an asshole, or does it come naturally?”
“Oh, excuse me, counselor, I forgot. This was one of your minions. Presumed innocent until proven an asshole.” He looked at the red welt forming on my neck, did a double take, and smiled. If I’d been shot, he’d probably bust a gut laughing. “Somebody doesn’t know you, Jake, they’d say you struggled with your client, then shot him.”
“Somebody doesn’t know you, Abe, they’d say you were a supercilious son of a bitch. In fact, somebody who knows you would say the same thing. So, before you shoot off your mouth anymore, let me tell you something. Francisco Crespo was more than a client. He was a friend, and you keep it up, the only arrest you’ll make today is for assault on a state official.”
“Okay, okay, keep your cool. Don’t be so touchy.” He wiped his forehead with a handkerchief and turned to a uniformed cop. “Must be the weather. Makes everybody crazy.”
An assistant medical examiner opened the door, followed by Doc Riggs. A homicide detective came in, then the crime scene investigators, then a man in a gray suit who looked familiar, but I couldn’t quite place him. Maybe he was a homicide detective I didn’t know. Cops like to travel in flocks, stand around and shoot the bull, reminisce about other cases, and gossip about who’s screwing the new divorcee in communications. One of the lab technicians was shining a laser at every nook and cranny in the trailer, trying to pick up invisible fingerprints. Another was using a portable computer to draw the crime scene.
“What the hell was
he doing, making potato salad in the bedroom?” Socolow asked nobody in particular.
Charlie Riggs scratched his beard. “A silencer,” he said.
Socolow wrinkled his forehead. He didn’t enjoy someone else figuring out something first. The man in the gray suit whispered something to Abe Socolow, and then it occurred to me. He was the guy in the courtroom who came up to Socolow during voir dire. Now Socolow was listening attentively. Something in Abe’s body language showed deference, a trait for which he was not well known.
“The gunman used a potato for a silencer,” Riggs continued. “Or two potatoes, actually, one for each shot.”
“A potato silencer?” Abe Socolow repeated, incredulous.
“Messy, but effective,” Charlie said.
Somewhere in my mind, a children’s rope-skipping rhyme was singing to me. One potato, two potato, three potato, four…
The man in the gray suit walked to the sofa where I was sitting. He had a lean leathery face and walked on his toes. He wore wire-rimmed glasses, and his body gave the impression of rangy strength underneath the baggy business suit. His hair was short, dishwater brown, and had a cowlick at the peak of his forehead. A vein protruded from his neck as he spoke to me. He asked me to tell my story, and I did. He tossed a pad and pen on the sofa and pointed with an index finger. “Would you write it out and sign it,” he said. He didn’t make it sound like a question. The lawyer in me said not to do it. But now I was a client, and I knew I didn’t kill Crespo, so I scribbled a statement, going through it step by step, then signed my name, putting an “Esq.” at the end of it, which sounded more impressive than ex-linebacker.